shure ksm8 vs ksm9

0:00 Intro The Shure KSM8 Dualdyne Microphone is the world's first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. Theres nothing quite like knowing your audience are listening to a high quality sound. The KSM8 is unique in being a dual-diaphragm, moving-coil stage vocal mic. Neumann are known for producing premium quality microphones, and so its no surprise that the KMS105 gives the Shure KSM9 a run for its money. More about the KSM8 here. The on-axis pickup pattern is well focused, and although moving substantially off axis results in a dramatic reduction of level, the tonality remains remarkably consistent. The Neumann KMS 105 is a condenser microphone that is designed for studio use. The passive diaphragm obviously moves in response to sound waves, and thus transmits sound waves into the rear chamber, but it affects low and high frequencies differently. At 191 mm (7.5"), it's slightly longer than the Shure SM58. We have both b87c and b87a capsules for our handhelds too, but these don't see anywhere near as much use. When comparing the sound of the KSM9 vs KSM8s, I found them both to have a great sound. Braunmhl-Webers innovative capsule design was patented in 1936, and introduced commercially as the famous M7 capsule employed in all of Neumanns early microphones. The capsule technology inside the KSM8 has been christened Dualdyne, in keeping with their familiar Unidyne product range terminology and in obvious reference to the use of two diaphragms. The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance. There are no user-serviceable parts inside. This mic offers dynamic lows, balanced mids and sparkling highs. An interesting side-note here is that Ben Bauer, working at Shure in the mid-1930s, developed a broadly similar acoustic labyrinth concept based on Braunmhl-Webers work for a single-capsule moving-coil cardioid mic. The Shure KSM9 is a well-known professional audio microphone, and the Neumann KMS 105 is a popular choice for home recording enthusiasts. Its certainly worth testing them yourself if you can, but for my money the Shure has a slightly brighter, clearer sound through the high mids and top end. This is, of course, complete nonsense: new developments are still appearing quite regularly, bringing substantial improvements in quality and accuracy, reliability or manufacturing costs. So, are there any downsides? Ultimately the Shure KSM9 and Sennheiser E965 are two very similar microphones. 2:11 Shure KSM8 Only 965 more sensitive than the KSM, for me uses about 1/3rd less gain. Also, what's your use case, as this will probably help us guide you towards to best choice! Theyre probably best-known for their affordable handheld dynamic stage microphones. Another advantage of mics with a smaller diaphragm is that they have a more controlled, consistent pickup pattern. Then - and rather predictably - we had to try the mic on a snare drum and guitar cab (both of which can be successfully enhanced with a regular SM mic). The idea is that sounds from the rear take the same amount of time to reach the rear of the diaphragm through the labyrinth as they do to pass around the outside of the microphone and impact on the front of the diaphragm. It offers a natural, open sound, with a very balanced low-end, beautifully smooth midrange and brilliant highs. the Telefunken M80). Basic Analog Systems. In the studio, a cardioid mic is probably all you need in a well-isolated vocal booth. It is also nice to admit the technological advancements implemented in this unit. Condensers offer a higher output level than dynamic mics, but theyre a lot more sensitive to loud noises, handling noise, and tend to break more easily. The KSM9HS is a new premium stage vocal microphone, based on the design and success of the KSM9. The Shure KSM9 is a great choice as a live mic. This moisture-resistant cloth protects the cartridge while providing superior pop protection, ensuring years of usability and durability. Taking its inspiration from Shures classic Unidyne III capsule (thats the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver a more consistent polar pattern. The younger sibling of the KSM9 is the Shure KSM8. Achieving the sound quality demanded by elite performers and venues no longer requires sacrificing the rugged reliability of a dynamic microphone. And crucial for live use, the built-in advanced suspension shock mount offers good insulation from handling noise and rumble. Future Publishing Limited Quay House, The Ambury, Beta 87A on UHF-R Wireless. The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. At first glance it looks just like any other conventional stage vocal mic theres nothing in its styling that signposts the clever technology within. Best mics for budget filmmaking and video production, 7 Best Headworn Mics for Wireless Systems Review. The kms105 is super clean, clear . Most studio condenser mics are far more sensitive than dynamic mics, which can cause problems in live performance. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. Price $699. Despite being a condenser, the design is well adapted to gigging. You wont have the super resilience of a dynamic mic. 210.65.88.143 The cardioid capacitor microphone was conceived in 1935 by Dr Hans Joachim von Braunmhl and Dr Walter Weber, both working for the Reichsrundfunk Gesellschaft (RRG Electroacoustic Laboratories) in Germany during the early 1930s. Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. Ultimately they often sound better. JavaScript is disabled. On stage, the wider cardioid pattern is more suited to singers who move around the mic a bit more. The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. Every KSM9 I've seen has been switchable between cardioid and supercardioid. How vulnerable are these mics to dropping on the stage? The KSM8 really is impressive for a dynamic mic. In a directional microphone, sound waves are generally directed towards the rear of the diaphragm through an acoustic labyrinth, which effectively introduces an audio delay. Shure KSM9 Shop now at Amazon. KSM8 in Nickel (G50) KSM8 in Black (G50) KSM9HS (G50) SM87 (G50) SM86 (G50) And don't forget about the optional SB900A rechargeable lithium-ion batteries . So far, so conventional except that the active diaphragm is also stabilised by a series of (patent-pending) sound-diffracting plates positioned directly above it. The Neumann KMS105 is another live handheld condenser mic. Off-axis frequency response is very smooth. Trademark Notices: The circular S logo, the stylized Shure logo, and the word, Shure are registered trademarks of Shure Incorporated in the United States. However, the KSM9 has this covered. At this point I expect youre desperate to know how the dual-diaphragm configuration works, but rather than get bogged down in the technicalities here, Ive put it all in a side-box for later reference. . The Shure KSM8 Dualdyne Microphone is the worlds first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. DuPont de Nemours and Company in the United States. Taken all together, these attributes should combine to make the KSM8 a joy to work with on stage, minimising the need for aggressive EQ or dynamic manipulation. Picking the mic up reveals that it is pleasantly weighty, at 330g, and it feels well balanced in the hand. The best way I can describe the sound of the KSM9 is that it provides an authentic reproduction of the sound source. The KSM9 appeared on our recommended list for Condenser Mics Under $1000 from October 2018 until March 2020. The switchable polar pattern means its versatile, and can easily adapt to your situation. Here we really missed the added proximity oomph, particularly for the guitar. Good Luck! The Shure KSM9 is a high-quality condenser microphone that is designed for live performances. 10 Albums That Are Complete Masterpieces According to You! Shure KSM9 is a professional on-stage condenser mic. . Are some types more durable than other similar in the live performance category? The switch is under the grille. KSM8/N: Superior dual-diaphragm dynamic microphone with a brushed-nickel finish. 25 Feb/23. Developing the Source Code" that connects business strategy and customer insights to brand essence and product experience. 1.93 in. By achieving greater output level while minimizing proximity effect to an unmatched degree, the microphone provides a clean, richly detailed signal with minimal feedback. In Asia, call 852-2893-4290. Internal shock mount and capsule stabilization mean minimal handling noise. 71 user ratings. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. Spitfire Audio Hans Zimmer Collection. For a better experience, please enable JavaScript in your browser before proceeding. A premium condenser vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail for live performance. Second, nonetheless very important feature is a unique grille design that does an impressive job in reducing popping sounds. With this taken care of, theres many advantages to using a condenser mic. Your email, has been entered to win this giveaway. It offers a frequency response of 20Hz-20kHz and a maximum SPL of 150dB. It also has a -10db pad which can be switched on if a vocalist needs a little less sensitivity. Shure are one of the industry leaders in vocal microphones. It also helps to minimise high-frequency handling noise. Giving just enough brightnessto put you in line or slightly ahead of the instruments, I find it working great for all types of voices too. For a vocal dynamic mic, this is expensive. The Shure KSM9 runs best at this voltage, but can perform at voltages as low as 11 V DC. The lows are being naturally rolled off to avoid that unwanted mud and boominess. It can also be a bit more forgiving when it comes to microphone technique. Shure KSM9. . This compliance is completely absent in a single-diaphragm cardioid capsule, of course. Great site. Try a good quality boom stand, with a tripod base like the K&M 210/2. It is made from high-quality components, which ensures that it delivers excellent sound quality. Microphone sound absorption and reflection. This improved design had even less proximity effect, achieved through the use of considerably more entry slots designed to provide an almost continuous variation of phase shift with frequency, instead of a small number of fixed discrete shifts. However, even so it is still significantly less expensive than many high-end capacitor stage mics, while it boasts some very useful and unique sonic and pragmatic advantages. In essence, this system guides sound of different frequencies to the rear of the capsule through three or four separate entry ports spaced along the length of the mic body, each incorporating frequency-selective damping. Moving significantly beyond that range causes the bass level to fall off gently, and by 600mm (two feet) there is an obvious but still gentle attenuation of frequencies below about 100Hz. FR curves are similar (KSM9 has less proximity effect; KMS105 a bit smoother HF bump) and both seem to allow a good singer to sound, well, good. The action you just performed triggered the security solution. In this blog post, we will discuss the comparison between Neumann kms 105 vs Shure KSM9, which one is best for you and why should you buy it. 1.93 in. Like most professional microphones, the KSM9 has a low impedance of 150 ohms. The Shure KSM9 has a sleek metal solid-colour design. To bring in more of the room sound, and the instruments around you, hold the mic 10 cm or more away from your mouth. And lets hope youre not positioned next to the drum kit! As mics go, Shures SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. If you could choose for worship music between Shure KSM9, Neumann KMS 105 or Sennheiser E965, what do you prefer? This delivers a more natural response throughout the vocal range, eliminating the need for a strong presence peak. The mic has a dual-diaphragm 19.8mm OD electret condenser capsule, with diaphragms mounted 3.7mm apart. . Shure KSM9/CG Dual-Pattern Condenser Handheld Vocal Microphone. Instagram: @marcusdscott, After you watch, check out Sweetwater.com today for all your music instrument and pro audio needs! . shure ksm8/n; . Looking at the mics published specifications, the frequency response is given as 40Hz to 16kHz, but these appear to be the limits at which the response has fallen by 10dB relative to the level at 1kHz. This means that the strength of the sound emitted from the mic is dependent on the force used to push air through the membrane. I haven't tried the sennheiser but I can tell you my experience with the kms105 and the ksm9(the ksm8 is a dynamic). This makes it almost identical in size to Shures KSM9 capacitor stage vocal mic. On first listen, the two mics have a similarly clear and transparent sound. Sound Quality. The low frequency behaviour is considerably more forgiving, providing a much bigger sweet spot. The Neumann kms 105, on the other hand, is a more affordable option that still provides great sound quality. The D224 became the flagship model, but the D202 and slightly smaller D222 models were far more recognisable thanks to their very distinctive shape. Shure: KSM8 & KSM9 Microphones. KSM8 Dualdyne Dynamic Handheld Vocal Microphone from Shure is a dual-diaphragm dynamic microphone crafted for vocal reproduction and sound-reinforcement in live performances and top-tier professional venues. A cardioid polar pattern picks up sound in a heart shape around the front of the microphone. What else do you need for your home recording studio? If the grille becomes damaged or deformed, please contact Shure's Service Department for a replacement. On vocals and speech, although the level changes, you get very similar frequency response from a couple of inches up to about a foot. Nevertheless, we dont think this should detract from what is a beautifully made and classy performer from mic giants Shure. SHOCKSTOPPER is a trademark of Shure Incorporated in the United States. The KSM8 is Shure's dual diaphragm dynamic, and as such not a condenser. Sweetwater's Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shure's KSM8 dynamic mic and KSM9 condenser mic. and all parts are high grade. The outer grille has been tempered to provide years of dent resistance. Consider helping Sound Forums keep the lights on. The electronic circuit is maybe complex but it doesnt utilize any vulnerable components (such as triodes, crystal oscillators, etc.) PA Consulting. At first glance it looks just like any other conventional stage vocal mic there's nothing in its styling that signposts the clever technology within. Reviewed by: Paul NarangReview date: October 2022Current price: Around $500. The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as . #Sweetwater #Shure . So if you need that extra sparkle and clarity to give your live sound the edge, then this could be the handheld condenser for you. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. As for music genres, KSM9 works best with latin, jazz, pop music, rock and similar. Itmaintains a great accuracy at higher freqs (where other mics err), and even those high-pitched harmonics sound so much natural! The KSM8 Dualdyne features a patented cartridge design with two ultra-thin diaphragms and groundbreaking reverse airflow technology. A dynamic cardioid version of the KSM9, using the same dual-diaphragm technology. We have always believed these are the ingredients that inspire and shape real results for businesses and brands. Crucially for a live condenser, theres also a suspension shock mount. Condensers offer a brighter, more detailed sound, which is more faithful to the human voice. KSM8. In isolation, the KSM8s sound character is very obviously far more natural and tonally balanced than either the Beta 58 or SM87A, and it is much, much easier to maintain a consistent sound quality and level when using the mic handheld. At a similar price, therere many comparisons to be made between the 105 and the KSM9. As a premium mic, the KSM9 is certainly pricey. In combination, these are designed to provide effective plosive and wind protection, as well as keeping breath moisture away from the capsule. But aside from the minimal handling noise, this really is a different experience. 3:06 Shure KSM9 Only The Neumann KMS 105 is a condenser microphone that has been designed for studio use. Depending on your style, it may require some minor adjustments to your pronunciation, but in the end it is still more forgiving than a condenser. $621.00. The only quibble I have is with the price, which at $499 is 5 times the price of the SM58. Check out the Shure KSM8 here:https://www.sweetwater.com/store/detail/KSM8N--shure-ksm8-dualdyne-nickelSubscribe to Sweetwater:https://www.youtube.com/user/S. The Shure KSM9 microphone is a high-end vocal microphone that has been designed for use in live and studio settings. And although the smooth midrange suited the guitar cab, on snare drum we really missed the boost in brightness that an SM57 brings. If the vocalist presses their lips against the grille there is a small but noticeable increase in the bass end, but it really is very moderate in comparison to most stage mics. Perhaps the closest competitor to the Shure KSM9 is the Sennheiser E965. This pattern is fairly forgiving of mic position and technique, whilst capturing detail. The Shure KSM9 could be the best choice for someone who wants excellent sound but cannot afford a Neumann kms 105. The active and passive diaphragms differ in that the active (top) one has a coil attached. We are excited to continue our mission and build the next dynamic design and innovation team that can envision, shape and create new growth platforms for the ambitious. Enter the KSM8. I own a SM7b and want a mic with similar quality for when I feel like holding the mic and being free. New Loops Releases 'Twin 3 Pro Expansion' 30% off intro discount! The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as the foundation, works fairly well. The KSM9 uses an XLR cable to connect directly to the audio interface or mixer. In other words, the acoustic impedance of the diaphragm increases as the frequency gets lower. You can email the site owner to let them know you were blocked. It is also available in both wired and wireless versions, which makes it ideal for use in a variety of settings. If you want your live vocals to be closer to your refined studio sound, then this is where a good handheld condenser comes in. Switchable cardioid and super-cardioid patterns. In these microphones the front capsule mounted directly behind the grille captures only the high frequency components of the source sound, while a second capsule located behind it receives the low frequency sound components, via a damped acoustical tube from entry ports at the bottom of the microphones handle. I also noticed how the mic bodys tapering shape and weight distribution automatically guides a natural hand position well away from the grilles rear entry ports. One of the standout features of this mic is its versatility it can be used for both vocals and instruments. She owns a EW 115, perhaps I could just upgrade the capsule? Both mics share some internal design features too: they both have the dual diaphragm design, which delivers a nice smooth frequency response. But guess you are looking more into a dynamic type of mic. Shure KSM9 vs Sennheiser E965 for Vocals. Confused about setting up your guitar? The mechanical design of the KSM8 offers advancements that benefit the performance and aesthetics of the microphone. The last channel of my input list is the centerpiece of the show! Both the SM57 and SM58 are favoured for their workhorse-like reliability and durability. Overall, the KSM8 appears to be a very impressive stage mic, both in terms of its practical sonic benefits, and in its innovative technology and sophisticated engineering. As well as the microphone, the KSM9 also comes with: Dynamic mics are extremely durable, and can withstand a certain amount of rough and tumble. The entire midrange, which corresponds for vocal and most instrumental sounds is precise as never before. Obviously, handheld dynamic mics are nothing new, and neither are microphones with dual diaphragms: every switchable-pattern capacitor mic has used that particular technology since the mid-1930s! Leveraging trend, user research, and other data, we turn ambiguity into clarity, define organizing principles, and chart trajectories for product offerings, brands, and businesses. XLR Male to Male, CableCreation [5-Pack] XLR 3 Pin Male to 3 Pin Male Microphone Line Adapter. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page. The Shure KSM9 is also a great choice for studio vocals. How careful do you have to be in handling? The KSM9 microphone typically runs around $700 in a wired configuration. Having used them both extensively with flat EQ no compression and no effects here is my 2cents on these mics. Sound Magic Blue Grand, 2 Steinway grand pianos collection, Crackling / Popping Noise on XLR Microphone, Roger Linn teaches "Designing Physical Interfaces for Music". PR35 has a lot of fans. Go for the shorter lengths where possible. A subsonic filter helps cut out any rumble from mechanical vibrations below 17Hz. However, if you imagine a noisy gig environment, you can see how you might run into problems with feedback and monitor bleed. They both come with a built-in shock mount and are able to handle high volume levels. This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking. Artists seen using the Shure KSM9 include Neil Tennant, Damien Rice and Serge Tankian. As a condenser mic, the Shure KSM9 requires phantom power. Whereas condenser mics are active meaning they need something called power phantom power. The Shure KSM9 is also a great microphone, also it may be less expensive than the Neumann KMS105. Features. Where the magic happens! The Sennheiser also has a slightly larger diaphragm than the Shure. Mic stands reduce any handling noise in the studio. A25E.

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